1. Leonardo da Vinci’s Mona Lisa
The painting, thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, is in oil on a white Lombardy poplar panel, and is believed to have been painted between 1503 and 1506. Leonardo may have continued working on it as late as 1517. It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Louvre Museum in Paris since 1797.
2. Jan van Eyck’s Adoration Of The Mystic Lamb
The Ghent Altarpiece (also called the Adoration of the Mystic Lamb or The Lamb of God, Dutch: Het Lam Gods) is a very large and complex early 15th-century Early Flemish polyptych panel painting. The altarpiece comprises 12 panels, eight of which are hinged shutters. Each wing is painted on either side, giving two distinct views depending on whether they are open or closed.
3. Rembrandt van Rijn’s The Night Watch
The Night Watch (Dutch: De Nachtwacht), is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best known painting in its collection. The Night Watch is one of the most famous Dutch Golden Age paintings.
4. Ludvig van Beethoven’s Symphony No. 6 (Original Manuscript)
The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German Pastoral-Sinfonie), is a symphony composed by Ludwig van Beethoven, and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, the symphony was first performed in the Theater an der Wien on 22 December 1808 in a four-hour concert.
5. Johannes Vermeer’s The Astronomer
The Astronomer is a painting finished in about 1668 by the Dutch painter Johannes Vermeer. It is oil on canvas, 51 cm x 45 cm (20 x 18 in), and is on display at the Louvre, Paris.
6. The Reliquary Bust Of Charlemagne
The Bust of Charlemagne (de: Karlsbüste) is a reliquary in the form of the bust of Charlemagne made around 1350, which contains the king's skullcap. The reliquary is part of the Late Medieval treasure kept in the Aachen Cathedral Treasury. The bust is one of the most significant examples of Gothic goldwork and the best-known example of a reliquary bust anywhere. The reliquary is an idealised image, not an actual portrait of Charlemagne.
7. Michelangelo’s Madonna And Child
The Madonna of Bruges is a marble sculpture by Michelangelo of Mary with the Child Jesus.
Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only loosely restrained by Mary's left hand, and appears to be about to step away from his mother. Meanwhile, Mary does not cling to her son or even look at him, but gazes down and away. It is believed the work was originally intended for an altar piece. If this is so, then it would have been displayed facing slightly to the right and looking down.
8. Leonardo da Vinci’s Lady With An Ermine
Lady with an Ermine is a painting by Leonardo da Vinci from around 1489–1490. The subject of the portrait is Cecilia Gallerani, and painted at a time when she was the mistress of Ludovico Sforza, Duke of Milan, and Leonardo was in the service of the Duke. The painting is one of only four portraits of women painted by Leonardo, the others being the Mona Lisa, the portrait of Ginevra de' Benci, and La belle ferronnière. It is currently being displayed at Wawel Royal Castle whilst renovations are being carried out at the painting's home, Czartoryski Museum, Kraków, Poland.
9. Benvenuto Cellini’s Saliera
The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. The Cellini Salt Cellar depicts a male figure representing the sea and a female figure that represents the earth. A small vessel meant to hold salt is placed next to the male figure. A temple-shaped box for pepper is placed next to the female figure.
10. Sandro Botticelli’s The Birth Of Venus
The Birth of Venus is a painting by Sandro Botticelli generally thought to have been painted in the mid 1480s. It has long been suggested that Botticelli was commissioned to paint the work by the Medici family of Florence, specifically Lorenzo di Pierfrancesco de' Medici under the influence of his cousin Lorenzo de' Medici, close patron to Botticelli. However, there are no documents associated with the painting, and its first identification with the Medici family only comes in the 1550 edition of Vasari's Lives. It depicts the goddess Venus, having emerged from the sea as an adult woman, arriving at the shore (which is related to the Venus Anadyomene motif). The painting is on display at the Uffizi Gallery in Florence, Italy.
11. Frescoes Of Camposanto Monumentale
The Campo Santo, also known as Camposanto Monumentale ("monumental cemetery") or Camposanto Vecchio ("old cemetery"), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy.
"Campo Santo" can be literally translated as "holy field", because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade by Ubaldo de' Lanfranchi, archbishop of Pisa in the 12th century. A legend claims that bodies buried in that ground will rot in just 24 hours. The burial ground lies over the ruins of the old baptistery of the church of Santa Reparata, the church that once stood where the cathedral now stands.
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